Will burtin (16 résultats)

Softcover. Etat : Very Good+. First Edition. Illustrated covers, clean and sharp, age toning to spine. In black glossy slipcase, clean and bright, tape repairs to edges. Book is firm in binding, color plates throughout, crisp interior. Free of any markings, not ex-library. ; Square 4to 9" - 11" tall. …

Stiff illustrated wraps. Etat : Very Good. First Edition. Large 8vo. Pp. 24, [70,] [64]. Milton Glaser designed wraps printed in tan and brown. Illustrated with black & white photo reproductions. Edges rubbed, spine sunned and tail chipped. Review of an AGI exhibition at AIGA, Rudolph Arnheim on symbols, Fifty French Books of the Year at AIGA, Cornford on The Future of Style. Supplemented with two 1966 AIGA exhibition catalogs with indexes: Covers: Book Jackets, Paperback Covers, Album Covers. Fifty Books. Milton Glaser (cover) (illustrateur).…

Hardcover. Etat de la jaquette : Good. vii, 233 pp. Vision + Value Series. LCC: 6510807 Very good condition; very light yellowing on edges of papers.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Vii, 233 Pp. White Cloth. First Edition (No Additional Printing Stated). Fine In Near Fine Dust Jacket Priced $12.50. B/W Illustrations (illustrateur).

Etat : Very Good. First edition. Paperback. Small square quarto. (128)pp. Light rubbing and fading to covers, mainly to spine, otherwise near fine in a slightly worn and torn card slipcase.

Soft cover. Etat : Very Good. 1st Edition. First edition of this documentary record of the inaugural Vision 65 congress, held at the Carbondale campus of Southern Illinois University, October 21-23, 1965—an unusually consequential gathering of designers, artists, educators and theorists concerned with the rapidly changing nature of human communication. 8vo (7" x 9.75"), printed wrappers, 280 pages. Published in 1966 by the International Center for the Typographic Arts in cooperation with Southern Illinois University. Participants included Will Burtin, R. Buckminster Fuller, Max Bill, Masaru Katsumi, Eugenio Carmi, Willem Sandberg, Stan VanDerBeek, Herbert Spencer, Bruce Mackenzie, Josef Müller-Brockmann, Wim Crouwel, Franco Grignani, Marshall McLuhan and Robert Osborn, among others. The congress brought the international graphic-design establishment into direct conversation with communications theory, experimental cinema, electronic media, cybernetics, environmental thought and the social responsibilities of design. Its subjects—the cultural effects of mass communication, the accelerating production of images, the relationship between information and technology, and the changing role of the designer—give the proceedings a remarkably prescient character. The volume preserves the addresses and discussions alongside the conference program, providing an unusually immediate account of a formative moment when modernist design confronted the emerging electronic culture. Light rubbing and chipping to extremities. Creasing to spine and bottom corners of wrappers. One leaf loose but present (pp 189-190); binding otherwise sound. Conspicuously scarce. A substantial and important primary document of postwar graphic design and communications history.…

Soft cover. Etat : Near Fine. 1st Edition. Uninscribed. Embossed covers with tiny crease to one corner. A beautifully designed publication. Siignificant in the history of design. Will Burtin (illustrateur).

Hard Cover. Etat : VG+. No Jacket. First Edition. 4to. original yellow cloth (some external marking, crossed-out prev. owner's name to upper pastedown, small edge tear to one leaf due to manufacturing error, else internally clean & bright; lacks dustwrapper); pp. [xii (last blank)], 174 (last blank), with illustrations. A very good copy.…

Soft cover. Etat : Very Good. 1st Edition. The fourth (of five) issue of the experimental design/visual communication periodical Dot Zero, devoted to World's Fairs, primarily Expo '67. Edited by Robert Malone, Mildred Constantine, et al, with graphic design and layout by Massimo Vignelli. Published by Dot Zero, Incthe in-house publication of Unimark in partnership with Finch Paperin 1967. Large 4to, photographic wrappers, fully illustrated in b/w. Cover image of the U.S. Pavilion at Expo '67 by George Cserna . Contents includes A Theory of Expositions by Umberto Eco; The Concept of Environmental Management by Serge Boutouline; Designing Creative America by Ivan Chemayeff; Creating Emotional Involvement in Geography, Geology, and Space Science by Rudolph de Harak; and Thoughts on Three-Dimensional Science Communications by Will Burtin. Light bumping and rubbing to extremities; contents clean and bright.…

Hardcover. Etat : Very Good. Dust Jacket Included. 1st Edition. 4to. [pp. 10], 171. numerous illus. (some colour). cloth. dw (dw sunned at spine, 2 short tears & corners rubbed). First Edition.

Card covers, stapled spine. Etat : Good. 25 x 25cm good, red card-covered catalogue, some minor surface wear to original embossed covers, designed by Will Burtin with transparent pages, various stocks, black and white plus colour reproductions. Graphic Designer William Burtin s ground-breaking 1960s exhibition Visual Aspects of Science visualised microbiology and medical facts through models and diagrams. It was commissioned by Upjohn Pharmaceuticals, and found a second life in touring from the US to American Pavilion, Italia 61 (Turin, 1961), Stedelijk Museum, (Amsterdam, 1962), before continuing to the Royal College of Art (London, 1963), and Palais de la DecouvÈrte (Paris, c.1964) This paper takes as its starting point the RCA version with fifty exhibits (RCA Gulbenkian Galleries, Kensington Gore, London, 8th October 2nd November 1963). It was co-sponsored by the RCA, The Royal Society of Science, and the United States Embassy. The exhibition s displays included a working model of audio-visual mechanisms in the brain, images of atomic structure and energy (Uranium Atom), and images and models of metabolic processes and cells. The German designer was known for interrelating design and scientific concepts within his exhibits. He was an influential designer, educator, and theorist in Germany and the United States.…

Etat : Fine. Number of pages: 46p to 48p each Size: 30.5 x 23cm Number of books: 1 book.

Soft cover. Etat : Very Good. 1st Edition. Sq.4to. Original embossed card covers. Designed by Will Burtin with transparent pages, various stocks, b/w and colour decoration and photographs.

Original softcover. Kodak, IBM, Upjohn and Union Carbide, Dortmund. Pages 20. Size: 9.75 x 9.75 cm Slight signs of age and use especially in the cover and last transparent loose page, otherwise good. Burtin, Will (illustrateur).

Softcover. Kodak, IBM, Upjohn and Union Carbide, Fritz Busche, Dortmund. Pages 20. Size: 9.75 x 9.75 cm Single slight signs of age and use in the cover, otherwise very good. Burtin, Will (illustrateur).

Pamphlet. Etat : Used. While it's always nice to see what can be done with few resources, it can be pleasant, too, to see what can be done when a book is funded by Kodak, IBM, Upjohn, and Union Carbide. Cha-Ching! Still, Will Burtin did not go overboard. He still made a spectacular thing with graphic efficiency. Sure, photographs by Ezra Stoller made his work easy, but sixty years later when we can do anything they can do without nearly the effort or drama, this one shows that taste, knowledge, and skill are still the most valuable resources. Weirdly uncommon. More science from Will Burtin» Cover worn and scuffed, but interior very good. Some yellowing as would be expected on coated paper of this age. 454.…