modern masters etching frank brangwyn de salaman malcolm (28 résultats)

Hardcover. Etat : Good. Blue boards with illustrated paper label to front. Unmarked.Oblong. Numerous plates tipped-in. Captioned tissue guards in place. Spine head and boards show shelf wear. Good plus vintage presentation.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Boards (HB) in very good condition with some light wear and soiling to covers.Small enclosed tear top of spine. Small amount of foxing in margins. With an introduction from Malcolm Charles Salaman, an English author, journalist and critic.Illustrated throughout with numerous tipped in plates of etchings from Frank Brangwyn, a Welsh artist, painter, water colorist, printmaker, illustrator, and designer. Each plate is protected by a captioned tissue guard.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. First Edition. Very Good Condition. Very old book. Book cover has minor discoloration and few visible spots. Pages appear free of annotating. Pages have some minor discoloration and few spots. Binding is tight and pages are intact.

hardcover. Etat : Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Hardcover. Etat : Good. Oversized hardcover. Blue-gray paper over boards with tan title label on front cover, with black and orange lettering. Title page dated 1924. Unpaginated, with numbered plates. 12 black and white plates total. In good condition. Covers appear quite toned and rubbed, with a few foreign markings visible on back cover. Corners and spine appear bumped, resulting in some chipping to paper and slightly exposing boards beneath. Covers feel a little loose from binding, but are still attached. Gutter inside is cracked through, revealing a bit of binding, but pages are not loose from binding. Although outside appearance is quite worn, inside contents remain in good, readable condition. Some toning to pages from age, but overall they are free of marks. Black and white plates remain clear and unfaded. This is an oversized (and overweight) book. Extra shipping charges may be required for international or priority delivery.

Hardcover. Etat : Good. Boards have some wear, toning. Content has light toning. Some spotting to front pages. No DJ.

Hardcover. Etat : Fair. Brangwyn, Frank (illustrateur). 1st Edition. Fair in paper-covered boards showing dusting toward edges, two red spots to the back board, short tear to top edge of back board, and spine cover missing. The 12 plates tipped in are in very good condition with deep shades of black and light fading to paper. Protective tissues present, only one has a corner crease.

hardcover. Etat : very good. Brangwyn, Frank (illustrateur). First. Illustrated with 12 mounted sepia plates. 8pp of text. Slim oblong 4to, blue boards with paper label on spine and cover (lightly edgeworn; spine ends chipped; bookplate on front endpaper). London: The Studio, 1924. First edition. A very good copy. Part One of the Modern Masters of Etching series.

Soft cover. Etat : Very Good. 1st Edition. soft cover with paper titles to front, light bumping to edges, in a clear protective wrapper, foxing spots to title page and on pages throughout, 12pp of text and 12 tipped in illustrations with protective tissue guards, overall VG- condition.

Hardcover. 25 x 32 cm. Oblong. 8pp essay plus 12 tipped-in photogravure plates with tissue guards. Blue cloth in price clipped dust jacket. Some toning to the jacket. Near Fine in Very Good dust jacket.

Hard Cover. Etat : Good. Hardback, paper label to front board. 25cm x 31cm. 7pp + 12 plates with tissue guards. Bottom corners slightly watermarked. Bookplate of Gavin Stamp to front pastedown. A pleasing copy. (g5).

Hardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1924. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in a group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched, and frequently a tree has been a vitally decora-tive feature in his design. An ordered cessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;

Hardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1925. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in a group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched, and frequently a tree has been a vitally decora-tive feature in his design. An ordered cessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;

Hardcover. Etat : Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates are bright and good. Year 1924. Hardcover. English. See images for condition. About the book >.>.> This last plate, London Bridge, No. 3, the twenty-seventh in the catalogue, was, perhaps, the most elaborate piece of draughtsmanship he had so far attempted with the bitten line, The Shipbuilding Yard, and Brentford Bridge being good preparations for it. But readily as Mr. Brangwyn's needle would always respond to the appeal of design in a bridge or any building with its human associations, or in group of folk at their workaday tasks, it was no less responsive to the forms of trees with the linear intricacies of stem and branch. Studies of various trees in different surroundings he has habitually etched. and frequently a tree has been a vitally decora-tive feature in his design. An ordered recessive arrangement of poplars is the pictorial motive of A Road in Picardy, the simplicity of which we may attribute to the influence of Mr. Brangwyn's admiration for the etchings of Legros. It was only at the second thought that he changed the serene sky to a stormy one;

[no date]. (hardcover) Very good, no dust jacket. Not numbered. Exquisite collection of twelve plates, including Boatbuilders, Venice, which is one of Brangwyn's most well-known plates. A captioned tissue guard with each plate. Slight edge wear at spine, a tiny bit of discolouration of insignificant consequence on front e.p. And title page. Modern Masters of Etching 1.

1st edition. Good copy only in the original paper-labeled boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains reasonably well-preserved overall. Series: Modern masters of etching, no. 1. Physical description: 8 pages, unnumbered leaves of plates (chiefly illustrated), 25 x 31 cm. Subjects: Etching; Eau-forte (Gravure); Etching (printing process); Art; Brangwyn, Frank 1867-1956; Art Periodicals. 1 Kg.

First Edition. Near fine copy in the original printed boards. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: Unnumbered pages. Subjects: Etchers - 20th Century - United Kingdom. 1 Kg.

Hard Cover. Etat : VG+. Reprint. Oblong folio. original blue boards, title label (a little rubbed and bumped, slightly marks spotting to outer leaves, else internally clean); pp. [ii (last blank)], 8, with 12 tissue-guarded plates. A very good copy.

Mouillure et quelques rousseurs. [13622].

Karton. Etat : Sehr gut. Zust: Gutes Exemplar. Englisch 614g.

Etat : Good. Original boards with mounted plate, oblong, circa 32x25cm, XII tipp-in b/w plates.; Slightly foxed.

Hardcover. Etat : Acceptable. Ex-library book, usual markings. Well read copy with some wear, discolouring and minor rips to book covers and pages. Colouring of page edges due to age. Still very useable. Quick dispatch from UK seller.

1924 Salaman, Malcolm C MODERN MASTERS OF ETCHING: FRANK BRANGWYN London: The Studio, 1924 12 tipped-on plates rectangular 4to paper-covered boards Neatly rebacked Minor wear on corners, else nice copy.

Oblong, folio. pp. 8 + plates. 12 tipped-in plates with printed tissue guards. boards. dw. (6 tears to back cover of dw).

First edition. 252x321mm. pp12 with twelve plates on card protected by tissue paper on which the details of the etching are printed. Original blue papered boards with label in centre of upper cover. Original and rare cream coloured illustrated dust jacket lettered in red. Very slight chipping to the dust jacket but overall in very good condition. The book itself is in fine condition throughout and the plates are superb. This is number 30 of 32 in a series published by The Studio highlighting the work of etchers from Rembrandt to the 20th century. Brangwyn was an enormously inventive and productive artist, working across a vast range of media. Although largely self taught, he did have some training with William Morris. The etchings selected here show Brangwyn's humanity as an artist, his understanding of darkness and suffering captured with a fluid beauty of line and shade.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Two volumes of Welsh artist Frank Brangwyn. 24 tipped-in sepia brown etchings. Interiors, text and images NF. Small water stain of the l/r corner of volume one cover. Normal handling soils on both covers. Overall VG.

Hardback. Etat : Very Good. Etat de la jaquette : Very Good. Frank Brangwyn (illustrateur). First edition. A first edition collection of numerous tipped in etchings from artist Frank Brangwyn. The first edition of this work, in the very scarce publisher's original price unclipped dust wrapper. With an introduction from Malcolm Charles Salaman, an English author, journalist and critic.Illustrated throughout with numerous tipped in plates of etchings from Frank Brangwyn, a Welsh artist, painter, watercolourist, printmaker, illustrator, and designer. Each plate is protected by a captioned tissue guard.As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. In the publisher's original paper covered boards, with price unclipped dust wrapper. Fading to board perimeters. Rubbing to head of rear boards. Small closed tear to head of front joint. Discolouration to dust wrapper perimeters. Significant edgewear to dust wrapper tail, with chipping closed tears, and loss to back strip tail. Tape reinforcements to reverse of dust wrapper. Internally, firmly bound. Light foxing to first few pages. Pages otherwise clean and bright. Very Good. book.

Hardcover. Etat : Good. 2 vols. Pub. 1925 & 1932. Illus. with a total of 24 b.w. plates. Oblong 4to. orig. bds. EX-LIB. copies. Covers discoloured and very rubbed on edges, library markings throughout, a good copy. (Heavy item, will require extra postage).